Yeah y’know I watched the preliminary final on Friday night and the estonian entry was good because the drummer guy hit the cymbal with his head, a la Animal from the Muppets.
But in the final last night I was going for Serbia n’ Montenegro. SBS really cashed in on the whole thing with a half hour each weeknight in the lead up, then the prelim plus the actual eurovision — so some songs I’d actually seen three times and in some cases that was three times too many.
But it didn’t take long to figure out that the serb n mont song was catchy. Nice chord sequence. Different things appeal to different people, choreography, costume, vocal performance – or the actual sound of the song is what makes me sit up. Plus they had those little guitars.
So I was pretty excited when it blasted into the lead early on, but then faded in the second half. Cora in germany also has a bit to say about it all, and I agree that the voting is the most exciting and interesting bit about it all. I said it last year and I’ll say it again now — it’s actually more complicated than the system we use to elect our political leaders here.
The Ukrainian song that won was kind of okay, but the costumes they had were totally hardcore and understandably would’ve earned them a few points. You could knock up a telemovie sceenplay in half an hour and still get it accepted if it included all that leather, fur and whips.
I liked Ludwig’s head from Malta:
or more specifically his hair do – a straight haired mullet parted at the side. Very No-Wave or something, couldda slapped on a black singlet and slotted into the new york punk scene.
Moving toward the tongue in cheek ‘I liked’, also I liked Deen from Bosnia n’ Hertzagovina’s ‘In the disco’. It was kind of funny that Deen had this intensely camp singing style but also had these rather racey looking women swirling around him.
my uni lecturer would call this scene ‘Patriarchal’
But at least it was distinctive. Interesting to hear that many of the national finalists were picked from ‘australian idol’ type shows, which seemed to backfire for a lot of countries — there was a glut of solo male vocalists. This also says something about those kind of shows (same with Big Brother) that the winners are mostly 20-something white males.
The cruisin’ down the road MOR-fiend in me also liked “Max” from Germany and his tune. Maybe I should grow my hair like Max .. hhehehehheheheehahaHAHAHAAHAAA!
I’m glad I wasn’t on acid when those ABBA puppets came on — that was horrific.
I think if the UK ever want to do well again they’ll have atomise into Wales, England, N.Ireland, and Scotland splitting in two; ‘scotland’ proper and in the north Pictland (or Pixieland — ie. where the Picts live). This way they can vote for eachother.
Then again, the Swedish song seemed pretty lame to me, but did well. And same with Spain – that song was pretty forgetable. I can’t help but wonder how much politics and the state of a country’s foriegn policy PR plays a part in it. Was Spain getting sympathy votes? Did people ditch Israel in the Preliminaries because they are being arseholes to Palestine? Did the UK get no votes because they are US running-dogs in Iraq?
What this theory doesn’t explain is why was Italy not there again? (did they do something terrible and got banned for good?) Same with Hungary and Czech republic. And why did Tango King from Finland bomb out?